I visited Israel in Spring 2006 and enjoyed every moment of it. I am very grateful to a Royal Society UK grant which made the trip possible.
I always wanted to visit Eilat and the 2006 Mediterranean Salsa Congress was the perfect excuse. What was it like? A lot of dancing in bikinis. A lot, dancing in bikinis. A lot in bikinis! A lot!
Never was the modesty of so much owed by so many to so little.
Sadly, I have no photos to offer; first, my brain had switched off; second, I might have got kicked out, and then I wouldn't have all these wonderful memories, would I?
The coach trip there was quite interesting. These shots were not easy; plenty of light, but the ride was hard and rough like ... well, never mind.
Bricks!! Bricks!!!! An absurdly profligate plenitude of bricks!
Tel-Aviv is a night city. For example nearly all supermarkets are 24 hour; I did all my grocery shopping after midnight coming back from dancing, or from a concert, or from an evening lecture on (say) napoleon, or from a street festival, or just from hanging out with friends ...
My visit to Israel began at the end of spring ... when the flowers came out.
Tel-Aviv looks like it was put up in a hurry (it was), and like it has better things to do than erect fountains with angels and fish and stuff (it does). This is not a pretentious city. There is public art; it seems to address daily life.
Are you interested in fonts?
Hebrew is written in the hebrew alphabet. Quite apart from its beauty, its history, and the fascination of the language it is used to denote, the different alphabet raises typographical issues — say you own a brand worth billions; how do you translate your logo into Hebrew? And if you have a Hebrew brand, how do you make it accessible to people who do not know your alphabet?
For this reason, Israel is positively littered with creative typography, for the delight of anyone who pays attention.